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Harmanpreet Kaur's Peacocks usher a new era for women in Indian sport

Anand DatlaAnand DatlaNovember 9, 20253 min read
Harmanpreet Kaur's Peacocks usher a new era for women in Indian sport

India’s maiden Women’s Cricket World Cup title in 2025 is as much a collective exhalation as it is a dawn. Under golden confetti and the gaze of nearly 40,000 DY Patil Stadium faithful, Harmanpreet Kaur’s team conquered South Africa by 52 runs—a result whose aftershocks are already rippling through India’s vast cricketing soul. The women swept the country in a wave of euphoria. Incredibly, more Indians watched this Women’s World Cup final than the men’s 2024 T20 World Cup, with 185 million streaming it and 92 million tuning into their televisions. For a country long defined by its men's cricket, the triumphant night for the Peacocks was a floodlit spectacle that was nothing short of a generational pivot.

The victory was made poignant and beautiful by a kaleidoscope performances that constantly lifted the team above individuals. Shafali Verma, all of 21 and a late call-up after an injury to opener Pratika Rawal, smashed 87 off 78 balls—the highest of her ODI career—and was then tossed the ball as a surprise bowling option. Two wickets fell swiftly to her part-time spin, right when South Africa seemed poised for an ominous chase. The result? A Player of the Match medal and open adoration from cricket’s old guard and new fans alike.

“We always believed we had a greater obligation—not just to win, but to advance women’s cricket,” Smriti Mandhana said, eyes wet with relief after years of near-misses. Deepti Sharma, the highest wicket taker; Amanjot Kaur's heroics with bat and ball; Richa Sharma's late flourishes; Rawal's steady hand in the company of a stellar Smriti Mandhana; A Jemimah Rodrigues special in the semifinals, in the company of her stoic captain Kaur who seemed to have saved her best for the day. This was an Indian team that needed many hands, and the players showed up just when they were needed the most.​

Deepti Sharma played match architect as well as executioner: an ice-cool 58 with the bat, a five-wicket haul with the ball (5/39), and, crucially, the leading wicket-taker of the tournament with 22 wickets. Her knack for conjuring breakthroughs underlines why Indian selectors gambled on her as the axis around which strategies should turn—all tournament long, her tight off-spin throttled even the best-laid batting plans.

Jemimah Rodrigues, the quiet dynamo, torched Australia in the semifinals with an unbeaten 127 to carry her team past a mountain. She found catharsis under the lights in Mumbai, having endured a long year in the shadows outside the team.

These athletes aren’t overnight stars. Their rise was paved with relentless grind on uneven grounds, often without clean kits or match fees—Harmanpreet Kaur sold her father’s scooter, Shafali sneaked into boys’ nets in Rohtak, and Deepti bowled at railway platforms when practice pitches weren’t an option.​

The final was just a mirror to the resilience of these wonderful champions. India’s opening partnership—64 without loss in ten overs—set a tempo the opposition failed to match. Laura Wolvaardt’s 101 off 98 balls for South Africa was valiant, but crumbled in isolation; her teammates couldn’t withstand Deepti’s varieties or Verma’s guile.

The shift? For the first time since the men in 1983, a World Cup triumph is not just about cricket, but about the recalibration of what young girls can aspire to. Fans around the country wept with joy, urging parents to abandon old prejudices. In the shiny glitter of the night, women found their voices and girls could taste their dreams.

The title means systemic progress, not just emotional resonance. India became the first Asian nation’s women’s side to win a global title across formats, fueled by recent investments in domestic, age-group, and professional setups. Over three million girls reportedly signed up for cricket clinics in the fortnight after the win—a metric as important as the cup itself.​

You have to ask: has this rewritten the script for every Indian girl who ever practiced with a taped tennis ball on a dusty patch? And, is it time school playgrounds treat a girl’s wristy cover-drive with the same awe as a boy’s booming pull shot?

Photo by Alex Davidson-ICC/ICC via Getty Images

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Anand Datla
Anand Datla
Anand is a sportswriter with over two decades of experience in narrating the stories of sport and its incredible performers. He has traveled around the world, covering a broad range of events in badminton, cricket, football, formula one, golf and tennis. He aims to foreground the grind of the athlete, the experience of sport, and its profound impact over life.
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